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Evelyn$507952$ - перевод на голландский
![Flora]]'' (1894)](https://commons.wikimedia.org/wiki/Special:FilePath/EvelyndeMorgan.jpg?width=200 "Flora]]'' (1894)")
![''[[Aurora Triumphans]]'', c. 1886](https://commons.wikimedia.org/wiki/Special:FilePath/Morgan, Evelyn de - Aurora Triumphans - c. 1886.jpg?width=200 "''[[Aurora Triumphans]]'', c. 1886")
![''[[Night and Sleep]]'' (1878)](https://commons.wikimedia.org/wiki/Special:FilePath/Night & Sleep.jpg?width=200 "''[[Night and Sleep]]'' (1878)")
![''[[The Love Potion]]'', 1903](https://commons.wikimedia.org/wiki/Special:FilePath/The Love Potion.jpg?width=200 "''[[The Love Potion]]'', 1903")
![De Morgan Collection]]](https://commons.wikimedia.org/wiki/Special:FilePath/The Storm Spirits.jpg?width=200 "De Morgan Collection]]")
![Helen of Troy]]'', 1898](https://commons.wikimedia.org/wiki/Special:FilePath/Helen of Troy.jpg?width=200 "Helen of Troy]]'', 1898")
![''[[Cassandra]]''](https://commons.wikimedia.org/wiki/Special:FilePath/Cassandra1.jpeg?width=200 "''[[Cassandra]]''")
![''[[Cadmus]] and Harmonia''](https://commons.wikimedia.org/wiki/Special:FilePath/CadmusHarmoniaEvelynMorgan.jpg?width=200 "''[[Cadmus]] and Harmonia''")
![Eos]]'', 1895](https://commons.wikimedia.org/wiki/Special:FilePath/Eos.jpg?width=200 "Eos]]'', 1895")
![Clytie]]''](https://commons.wikimedia.org/wiki/Special:FilePath/Clytie, by Evelyn Pickering de Morgan.jpg?width=200 "Clytie]]''")
![The Gilded Cage]]'', 1919](https://commons.wikimedia.org/wiki/Special:FilePath/De Morgan - Guilded Cage.jpg?width=200 "The Gilded Cage]]'', 1919")
Википедия
Evelyn De Morgan (30 August 1855 – 2 May 1919), née Pickering, was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors (such as light and darkness, transformation, and bondage) to express what several scholars have identified as spiritualist and feminist content. Her later works also deal with the themes of war from a pacifist perspective, engaging with conflicts like the Second Boer War and World War I.
